We had the pleasure of following Jenny Morgan's opening in NYC with a quick trip to Dallas for the Aurora Light Art Festival, where Plus Gallery artist Allie Pohl was featured with one of her recent video's projected bold and brightly on the side of one of the elegant buildings within Dallas' impressive Arts District. Aurora was a major success for the city of Dallas, with approximately 30,000 people joining the festivities that night, so it was great to see Allie's work a part of that enormous public celebration.
Saturday, October 26, 2013
JONATHAN MONAGHAN TAPPED AS ONE OF BEST IN LONDON
It was no surprise for us to see that Jonathan Monaghan's latest animation "Mothership" was at the top of this list from last week's Moving Images Festival in London:
DON FODNESS NEW WORKS ON VIEW AT REDLINE GROUP EXHIBITION
Plus Gallery artist Donald Fodness' latest work is a playful use of material and subject matter, a diptych on VHS cassette packaging titled "True True." His work will be on display in the RedLine exhibition "An Invisible Boundary" curated by Carmen Winant, writer for Daily Serving. The exhibition opens this Saturday.
JENNY MORGAN NYC OPENING A SMASHING SUCCESS!
Those who joined us last week in NYC experienced the most singular moment in the history of our operation, as Jenny Morgan made an extraordinary major-level solo debut at Driscoll Babcock Galleries in the heart of the Chelsea art district. Approximately 1600 people swarmed through to be the first to see her latest works last thursday night including numerous admirers, friends, collectors as well as her most recent mentor, the renowned painter Marilyn Minter. We could not be more proud of Jenny and the response to her exhibition, most certain to be one of the biggest hits of the fall art season. Undoubtedly, Jenny's second decade in her career should prove to be even more thrilling to follow than the first.
View more images from the evening on Plus Gallery scrapbook page:
Watch the video produced by Driscoll Babcock in conjunction with the exhibition:
"SUSPENDED CHAOS" LAURA KRUDENER MAKES HER SOLO DEBUT THIS FRIDAY OCTOBER 25TH AT PLUS GALLERY
Krudener's canvases are dramatic in scale as well as her particular format, painting through various "poured" techniques on raw canvas with the stretcher-bars receding at an angle from the surface plane, enhancing the unique effect of suspension. Krudener was profiled several times in the last year, including Modern in Denver's fall issue 2012, the most recent issue of Luxe Magazine, and the National online publication Curbed.com
Plus Gallery is thrilled to present Laura Krudener and her explosive works to Denver, please join us in celebrating the opening of the exhibition on Friday, October 25th from 6-9pm.
LAURA KRUDENER DEBUT SOLO "SUSPENDED CHAOS" OPENS NEXT FRIDAY, OCTOBER 25TH AT PLUS
For her first solo exhibition at Denver's Plus Gallery, Laura Krudener will be exhibiting a new body of paintings entitled Suspended Chaos. Krudener's paintings explore the rapid motion in which we experience visual imagery in a world of ceaseless news feeds. Through various poured techniques and layered drawings, each layer of Krudener's paintings is informed from the movement of the previous layer. Finding a suspended stillness in the motion of the paint, Krudener's paintings become a meditation on movement, and the constant search for stillness.
Abstract expressionism in painting has been a prevalent force amongst American painters of the last sixty plus years and has also come to define Colorado's contemporary art scene in a substantial way. "Colorado Abstract" was released in 2009, the first of its kind massive volume of notable locals, followed shortly by the news of the Clyfford Still Museum finding a permanent home in Denver. Riding right on the cusp of those two occurrences is Krudener's arrival in Denver, a huge new talent working in a vein that hearkens back to some of the most credible moments in abstract painting, while pushing the current trajectory in bold, distinct ways.
Krudener works on raw canvas, crafted with receding edges that give the surface a feeling of floating in midair. Through a multiplicity of techniques, including heavy pours, embellishments of charcoal and marker, as well as bold, often contrary colors, Krudener delivers a state of motion and suspension within a compositional congruity of extreme panache. The beauty is in the subtle details as well as the joyous effects when these combinations cohere into volumes that are increasingly more majestic and complex. Her tactical goals also carry a social relevance that is rare in the genre, and all the better for it.
Abstract expressionism in painting has been a prevalent force amongst American painters of the last sixty plus years and has also come to define Colorado's contemporary art scene in a substantial way. "Colorado Abstract" was released in 2009, the first of its kind massive volume of notable locals, followed shortly by the news of the Clyfford Still Museum finding a permanent home in Denver. Riding right on the cusp of those two occurrences is Krudener's arrival in Denver, a huge new talent working in a vein that hearkens back to some of the most credible moments in abstract painting, while pushing the current trajectory in bold, distinct ways.
Krudener works on raw canvas, crafted with receding edges that give the surface a feeling of floating in midair. Through a multiplicity of techniques, including heavy pours, embellishments of charcoal and marker, as well as bold, often contrary colors, Krudener delivers a state of motion and suspension within a compositional congruity of extreme panache. The beauty is in the subtle details as well as the joyous effects when these combinations cohere into volumes that are increasingly more majestic and complex. Her tactical goals also carry a social relevance that is rare in the genre, and all the better for it.
Laura Krudener received her MFA from the San Francisco Art Institute in 2009. She has exhibited her paintings recently in a solo exhibition at Space Gallery in Denver, and in group exhibitions such as "Vernissage" at Fort Mason in San Francisco, "White Space" at Design Within Reach in Boulder, and "Transparencies," at the Boulder Museum of Contemporary Art. Krudener's paintings are in several prominent national collections including Janet Jackson and Dame Elizabeth Taylor, her painting "Ruby Melting Sky" remaining in Taylor's estate. She was profiled several times in the last year, including Modern in Denver's fall issue 2012, the most recent issue of Luxe Magazine, and the National online publication Curbed.com
FINAL WEEK FOR ALLIE POHL - PEACOCKING
This is the final week for "Peacocking" by Allie Pohl here at Plus Gallery, please stop in between Wednesday and this Saturday during our regular hours of noon to 5pm to take in another singular exhibition by one of the most provocative artists to come out of Denver. And don't hesitate to touch or rotate the Abs and Pecks sculptures!
JENNY MORGAN - HOW TO FIND A GHOST
http://riotofperfume.com/4689/
And this report was just posted from our great friends with Telluride Inside and Out, who know a thing or two about collecting and Jenny Morgan:
CURRENT EXHIBITION
Allie Pohl: Peacocking
On view through October 19th, 2013
Read what our intern Nicki Maggiore, a recent graduate of Sotheby's Institute of Art-London, has to say about Pohl and Peacocking on the Plus Gallery blogsite:
On view through October 19th, 2013
Read what our intern Nicki Maggiore, a recent graduate of Sotheby's Institute of Art-London, has to say about Pohl and Peacocking on the Plus Gallery blogsite:
Peacocking - Abs (detail)
image courtesy of Westbrook Mahurin
DON FODNESS IN TWO AREA EXHIBITIONS
Plus Gallery artist Donald Fodness saw interest in his work spike with his recent solo exhibition "The Void is too large....if you can read this" this past July/August. Now he has works on view in two related exhibitions at Plus Gallery neighbor RedLine studios, where Fodness recently completed his artist residency:
Ironic Object curated by Lanny Devuono
Invisible Boundaries
http://redlineart.org/art/events/exhibitions/an-invisible-boundary.html
http://redlineart.org/art/events/exhibitions/an-invisible-boundary.html
FULL INTERVIEW WITH IVAR ZEILE FOR WESTWORD FALL ARTS GUIDE NOW AVAILABLE ONLINE
Read Susan Froyd of Westword's description of one of Denver's "plum galleries" as well as our response to four of her questions in the full version of the Westword's Fall arts guide, only available online:
http://blogs.westword.com/showandtell/2013/10/ivar_zeile_plus_gallery_rebecc.php
http://blogs.westword.com/showandtell/2013/10/ivar_zeile_plus_gallery_rebecc.php
COPIES OF JONATHAN MONAGHAN'S LIMITED EDITION CATALOG AVAILABLE THROUGH PLUS GALLERY SOON
One of the most visionary artists we've had the opportunity to work with both at Plus Gallery and through our project Denver Digerati is Jonathan Monaghan, a young artist based in DC that is one of the leading digital animators making huge strides in the contemporary market across the world. His latest 15 minute masterpiece "Mothership" makes its debut next week at London, England's Moving Image Festival, we guarantee it will be blowing minds in one of the world's hotbeds right now for Contemporary Art. Monaghan, in conjunction with Washington D.C.'s Curator's office, just released a very limited edition 40-page catalog of his work that will be available at the Moving Images Festival, and Plus Gallery will be receiving just a few copies to distribute on our end soon as well. Reserve your copy through us today!
NEW JENNY MORGAN EXHIBITION CATALOGS NOW AVAILABLE!
Driscoll Babcock Galleries is set to unveil Jenny Morgan's largest solo exhibition to-date next Thursday evening, October 17th. Corresponding with the exhibition is a new large-format hard-cover catalog featuring artworks in the exhibition as well as recent paintings Morgan has realized since joining the DBG family. The 64-page publication includes new essays by Tess Schwabb of Driscoll Babcock Galleries and Benjamin Genocchio of Modern Painters. It is a wonderful addition to the documentation of Jenny's career that began with the Plus Gallery publications "New Territory" and "We Are All Setting Suns." Copies of the publication are available now directly through Driscoll Babcock Galleries, interested parties can contact info@driscollbabcock.com for availability and pricing info. Anyone wishing to order a signed copy directly through Plus Gallery may also do so in advance of the opening and we will try and facilitate for you.
Thursday, October 10, 2013
From the Eyes of a Newcomer at Plus - Allie Pohl's "Peacocking"
Pohl addresses these questions in a smart, in-depth and fun manner. In the digital age we currently live in, our incessant need to document and engage with an online, virtual environment comes through in a multitude of ways and Pohl uses this to her advantage. The do's, don'ts, how to's and what's cool of western society are as easy to trace as 1-2-3. Pohl meets these ideas head on and cleverly assumes the roles of both embracer and exploiter. Capitalizing on the online, body conscious and consumer hungry world which we inhabit.
In order to understand the ideal image of man in modern times Pohl gathered information through interactions on online dating sites. In addition to that she worked hand-in-hand with reputable male mannequin manufacturers, and lastly, instituted the creation of larger-than-life merit badges. Not only does this body of work serve up interesting subject matter on a less explored topic but Pohl does it in a subtle yet striking way through the various media she chose to use. You really have to look to understand what is happening in front of you.
What I find most interesting is just how much is buried in the seemingly simple stacks of torsos, pecs, legs, and arms ("Abs 1", "Pecks 1" , "Legs 1", and "Arms 1" ). The different colors and features of the mannequins represent decades that have come to pass (80s, 90s and 2000s), matching the most popular car colors for those decades, and most crucially, how society has come to view the physical image of man. The evolution of the male body through time seems to mirror the social and cultural expectations that have been set forth.
Moving away from the physical body, the viewer is presented with the photographic series entitled Date with Jon Doe #1-16 where the artist documented the various wallets of the men whom she met online and went out on dates with. The odd size of the framed images in addition to the metallic media which they are printed on, adds yet another layer to this already intriguing series. The small size of the images reflect cell phone culture, reiterating our need to document everyday occurrences. The notions of repetition and reflection that are present here are integral to Pohl?s practice.
The merit badges on the facing wall represent the seven most ideal traits of a man that Pohl gathered from going on dates and visiting online dating sites. The representation of such traits like success, confidence, and athleticism are matched with images that appropriately suggest the same. Like the necklaces she created for the "Ideal Woman" series, Pohl had these same merit badge images put onto hats. This translates from something you would exclusively find in a gallery into something you easily take with you anywhere you go. Again Pohl is implementing her artwork into everyday consumer culture, making the ideas expressed through her work come full circle, branding them as her own.
Through this body of work Pohl created a strong sense of how it is men view themselves today. Just as the male peacock fans his feathers to attract a mate, men feel the need to create a spectacle around themselves, to present a "total package" image that society tells them is desirable. Pohl teaches us that cultural expectations, although they may not be the same, do not solely pertain to just one sex. It is through the various media Pohl uses that the viewer is able to read into and reflect upon these larger themes, to understand what is really at work here by contemplating the familiar objects transfixed in the gallery space. Pohl's ability to translate these ideas in such an intelligible and creative manner is ever present, making one wait in eager anticipation to see what she has in store next.
Nicki Maggiore is a gallery assistant at Plus Gallery.
Thursday, October 3, 2013
Fun facts and hot-art news from Plus Gallery | October 2013
OCTOBER FIRST FRIDAY
Plus Gallery will be open this Friday evening October 4th till 8pm. Find a little warmth and some of the most exquisite art in Denver tomorrow night with our featured exhibition "Peacocking" by Allie Pohl.
EARLY HOLIDAY SHOPPING
Want to knock out your holiday shopping early, or simply acquire an affordable, strikingly fashionable limited edition item by one of the countries hottest sensations? Stop by Plus Gallery on First Friday to check out Allie Pohl's full line of Men's Merit Badge ball Caps, in limited supply now for $45 each.
FIRST TIME EVER?
We are not sure, we may just be dreaming, but the buildup for Jenny Morgan's solo debut with NYC's Driscoll Babcock Galleries, continues.....check out the full-page ad in Artforum's October issue. We don't know if an artist out of and still engaged in the Denver scene has ever seen this kind of exposure, and though we don't have a copy yet, the same image is on the cover of NY's current Gallery Guide. Morgan's exhibition opens October 17th, we'll be there to cheer Jenny on and will report back with images and details later this month. If ever there was big news relating to Denver and the visual arts, this is it!
5280 SHARES THE LOVE
The latest issue of the mile-high magazine includes a section on Denver's world-class art scene, with Plus Gallery and featured artist Allie Pohl firmly in the mix. Pick up a copy today on newstands all over the city and state.
FUN FACT #1
Phil Heath, the subject of Plus Gallery artist Austin Parkhill's massive 2012 painting "Phil," recently claimed the title of Mr. Olympia for the third year in a row. Not bad for the Denver resident and now one of the most acclaimed athletes in history.....the last bodybuilder to do so went on to become the governor of California!
FUN FACT #2
One of Denver Digerati's commissioned works, "METRO Re/De-construction" by Denver's own Chris Coleman, was picked up by two major online sites last week, Gizmodo and Popular Science, amounting to over 45,000 views!
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