Showing posts with label Bruce Price. Show all posts
Showing posts with label Bruce Price. Show all posts

Wednesday, December 19, 2012

PLUS GALLERY - A LOOK BACK AT 2012 ...AND AHEAD TO 2013


The year 2012 has been a an exceptional one for Plus Gallery and our artists, one of solid exhibitions within the gallery throughout the year as well as a number of notable offsite exhibitions at the hands of other curators. We have always felt that what has most distinguished Plus Gallery over the years and continues to build with greater depth over time is the high quality of our artist's work and the wide degree of resonance they impact on the contemporary scene, both here in Colorado and now starting to move well beyond. We conclude 2012 with a recap of some of the most significant moments by our artists that we feel set their careers and our program apart from others in 2012:


1. Plus Gallery artist William Betts made several advances that distinguish him as one of the leading painters in the world today. At the beginning of 2012, just before his solo exhibition at Plus Gallery, he was awarded the annual National Juried prize from New American Paintings, a singular award amongst contemporary painters in the US. He followed that with his first overseas group exhibition "Tracing the Grid" at the Kunstmuseum Stuttgart amongst some of the worlds most prestigious and historic artists, an honor greatly amplified by the fact that his career was still less than 10-years strong. On top of that, his name kept cropping up in the art-related news as collectors swept up his works at select fairs throughout the year. We applaud Betts for his achievements this year and maintain that his paintings are some of the most unique works of art in the world.



2. We can think of no painter originating from Denver that has made deeper, more remarkable inroads towards a prestigious career than Jenny Morgan. 2012 proved to be a pivotal one for this young artist, putting forth the single most successful exhibition in Plus Gallery history and receiving representation with a major Chelsea-based dealer shortly thereafter. Morgan's paintings were included in no less than three local curated exhibitions in 2012 including the CVA's outstanding "Out-Figured," curator Jennifer Garner's swansong with the institution and one in which Morgan was represented by works made up entirely from private local collections. Plus Gallery released a second gorgeous and collectible hard-cover book that documents her output from 2010 though the summer of 2012, and we continue to support and follow her career as she moves into her second decade exhibiting. We expect great things from her and eagerly await her solo debut with Driscoll Babcock galleries, set for October of 2013.



3. If there is one thing we have learned from the contemporary art business in the last 12 years, it's how limited the local market is for truly distinct, progressive sculptural work. Fortunately Mike Whiting has broken multiple boundaries in that regard, whether market driven or otherwise. Whiting was involved in several curatorial efforts this year including the exceedingly clever four-person show "Suburbia" at GOCA in Colorado Springs, as well as two solid NYC based group shows. But it was his first outdoor solo exhibition "8-Bit Modern" at the BYU Museum of Art that truly shows how well Mike's career has blossomed since emerging with Plus Gallery back in 2004. His monumental sculptures are simply spectacular grouped together in an outdoor setting, and with his commissions in the public realm continuing to build across the country, we are confident that we'll be seeing even more prestigious exhibitions from Mike in the years to come.



4. There are certain accolades artists manage to achieve that the art-following public might be firmly aware of, and then others that remain subdued but are of far greater importance. Xi Zhang has been no stranger to the former, having previously received recognition in 2011 as a "Pathmaker" in the visual arts on top of being acknowledged by the Denver Post as one of the leading artists under 35 years of age (and in Zhang's case, still under 30). But none of that compares, though it certainly helped him in achieving, one of his greatest awards of 2012: his U.S. citizenship through merits as an "artist of extraordinary ability." Only a few individuals know the efforts that were undertaken for Xi to receive his citizenship, not to mention the tight-timing that he was up against. We could not be more thankful that his application was approved this year, allowing him to stay in the US and continue to grace our region (for now) with his unprecedented talent. A few of Denver's print-based publications profiled Xi this year, including 303 and 5280, and his March solo exhibition "11 Ceremonies" was one of the year's standouts here at Plus. His recent acceptance by Platform 5280 Biennial of the Americas as an ambassador for Denver as well as the US for a month-long residency in Buenos Aires truly pushed the year over the top for Zhang. He continues to work at an amazing level in his Denver based studio on no less than three distinct, and wonderful, bodies of work.



5. Allie Pohl may not have been on the front-lines in Denver this year, but her reputation across the country continued to build in unprecedented and impressive fashion. Pohl's "Defaced" project stormed both the internet as well as her NYC debut via ArtCart. Her magnificent "Fuscia-chrome" caryatid went from her studio in LA to prominent outdoor setting in Winter Park Florida as part of that city's "Art on the Green" juried sculpture exhibition, certainly one of the most provocative forms ever exhibited publicly. On top of that Pohl exhibited in multiple LA based galleries, including the bathroom of the BaƱo Gallery where she unveiled newest, uber-sexy photographs in "Hot Seat," a series of self portraits that take place in select bathrooms of distinguished art destinations and beyond. Pohl is a fascinating and completely transcendent artist, one who continues to amaze us with her singular ideas and boundless energy and one whom we expect great things for in the future.



6. 2012 proved to be a notable year in more ways than one for Colorado's most stalwart and revered contemporary painter Dave Yust. After more than 40 years teaching on the frontlines of the Art Department at CSU in Fort Collins, Dave finally retired this past spring, a life-changing move if ever there was one. With more time than ever to focus on his artistic legacy and continued studio practice, Yust then thrust his efforts towards a retrospective that opened recently at the Loveland Museum Gallery, one that spans over four decades of his exceptional devotion to and work in printmaking. Dave has also devoted a great deal of his recent time on new paintings in his studio for his upcoming solo exhibition here at Plus, his first since 2006 and undoubtedly one of the most anticipated of the coming year.



7. If there was one event that has been the most memorable in Plus Gallery history, it was Bill Amundson's over the-top artist talk delivered in 2011 to a tightly packed house in full view of his first solo exhibition with us "Blurred Vision." It's no wonder the Denver Art Museum invited him this year to be one of the guest speakers as part of the fall Logan Lecture series, following on the heels of notable artists like Dana Schutz, Larry Bell and El Anatsui. Bill's lecture was another thrill, providing perhaps the most depth yet into his career in one sitting, as well as plenty of laughs and deeper thoughts to ponder that his work certainly inspires. Bill had a couple of small-scale exhibitions this year outside of Colorado, with several works from private collections also on view in the Arvada Center's summer show "Faces, Places and Spaces." But his best drawings of the year were reserved for Plus Gallery in a small showcase that is currently on view in our second-floor exhibition space, coinciding with his Logan Lecture. Though this years election provided good fodder for Bill to wrap his brain and pencil around, it's his upcoming 60th birthday that resonates heavily over the newest works.



8. Oh Canada, how is it that you are graced with a traveling exhibition of Douglas Walker's large-scale paintings that has spanned into two years now in multiple cities and venues.........and we are not? If ever there was an exhibition making the rounds right now in any location on this earth that we'd love to see in the United States, it's Walker's "Other Worlds" which began it's trek across Canada in 2011 at the Robert McLaughlin Gallery in Oshawa, Ontario, made its way in early 2012 to the Dalhousie Art Gallery in Halifax, Nova Scotia, proceeded slightly West to the Justina M. Barnicke Gallery in Toronto during the summer, and is currently on view through March 31st at the Confederation Centre of the Arts in Charlottetown, Prince Edward Island. Plus Gallery unveiled the first of Walker's breathtaking, large-scale paintings during our 2010 Biennial of the Americas related exhibition "You Are Here," ones that simulate unearthed ceramics as if created on another planet, albeit one related to ours. Walker's works have advanced in both scale and dynamic content since then, highly deserving of the touring show that has occurred in multiple locations up North this year.



9. Plus Gallery related art-collections also made a tremendous impact this year, supporting exhibitions at the Arvada Center, the Center for Visual Arts, the Victoria Myhren H. Gallery at DU, as well as collection tours through the Boulder Museum of Contemporary Art. We expect to see more along these lines as our artists engage the public on a wider level and our patrons experience the joy of sharing their passion for art.



10. A number of additional Plus Gallery artists hit notes of achievement this year, including Austin Parkhill who is featured in the current issue of New American Paintings as well as on the walls at our gallery in his stunning solo exhibition "At Your Best." We are proud of our entire family of artists and the spirit that drives them towards excellence in their work and careers, whether that is acknowledged on a broader level or not.





PLUS GALLERY - A LOOK FORWARD TO 2013


We don't expect to replicate the achievements of this last year on all fronts in 2013, but do know that we'll have an entirely new set to celebrate twelve months from now. Here is a brief, advance view of what 2013 already has in store with our artists, including two highly anticipated Denver Museum exhibitions:


1. Patti Hallock is set to become the first Plus Gallery artist to be featured with a solo exhibition at the Museum of Contemporary Art Denver this next year, with recent as well as new selections from her expansive "The West Is Here" series going on view this January. The exhibition is a good fit for the museum, Hallock having been included in group exhibitions at the MCA in their previous location both in the "Biennial Blowout!" of 2006 as well as the "Extended Remix" major survey of Colorado contemporary art that same year. There is still time to acquire works that will be on view in the exhibition, a level of patronage and support that we highly recommend for one of the state's most thoughtful and renowned young photographers.



2. Bruce Price is set to become the first Plus Gallery artist since Dave Yust (yes, pre-Plus Gallery, way back in 1976) to be given a solo exhibition at the Denver Art Museum. Recognized as one of the foremost abstract painters in the region, Price has integrated fabric directly into his paintings and works on paper for the last few years. Curators at the DAM recognized this unique quality perviously this year at a DAMC sponsored studio visit, and later asked Bruce to show a selection of his works on paper as part of their upcoming Museum-wide exhibition "Spun: Adventures in Textiles" in 2013. The exhibition commences in mid-April and will include a selection of more than 30 drawings from Price in the Hamilton Wing's Works-on-paper gallery. We also highly recommend supporting Bruce through acquisition of his work through this extremely rare opportunity.



3. Finally, Melissa Furness will have one of her most recent paintings, and Colin Livingston will give a preview of his latest body of work at the Arvada Center juried exhibition "Art of the State" in January. Livingston will follow up that exhibition with his next show at Plus Gallery later in April. Also on tap for 2013 at Plus Gallery are solo exhibitions from Dave Yust, Tsehai Johnson, Donald Fodness and Allie Pohl, with a few more slots waiting for final confirmation. We expect it to be another exciting year at the gallery and an opportunity to explore further in depth some of our most celebrated artists, as well as a taste of some of our newest family members. And stay tuned to our newsletter for more exciting developments with our curatorial efforts for the Denver Theatre District and their LED platform for exhibiting motion-based arts. We are looking to develop a full program of "Friday Flash" showcases to commence in late spring, and also set to initiate a permanent collection of works commissioned by local and national artists.


Please note that this is our final newsletter of the year. Plus Gallery will be open for regular hours through Friday, December 21st. The gallery will close for a short holiday break between the 22nd and 26th, but will be open for regular hours again starting the 27th and into the new year.


Thursday, March 1, 2012

UPCOMING DAMC STUDIO TOURS INCLUDE PLUS GALLERY ARTISTS XI ZHANG AND BRUCE PRICE

The DAM Contemporaries launch the first of this year's artist studio visits on Saturday, March 10th.  Plus Gallery artists Xi Zhang and Bruce Price are both on the itinerary, each has moved into a new studio in the past year and both are highly relevant to the local contemporary scene today.  You must be a member of the DAMC to join, the schedule is as follows:


Saturday March 10, 2012
2:00 - 4:15pm    $10
Limited to 20 DAMC members

2:00 -3:00 pm
Xi Zhang's Studio (Santa Fe Art District)


Influenced by pop culture and social media platforms, Xi Zhang mines material for his art from what he refers to as "twenty-first century DNA" -- Facebook, video games, advertisements and Google searches. Zhang's use of the fantastic -- that slipstream realm between the real and unreal -- challenges our judgments of technology and media.


3:15 - 4:15pm
Bruce Price's Studio (RiNo Art District)


Utilizing a painterly approach, Bruce Price employs a series of patterns, colors and textures to create an extraordinary sense of depth, dimension, and visual rhythm in his work. He has become one of Denver's most lauded contemporary painters by delving into the nuances that have long typified the ornamental genre.       

Reservations:       
Please call 720-913-0150 by March 5
You will receive driving directions when you make your reservation

Questions:
damc@denverartmuseum.org

Thursday, January 12, 2012

GET YOUR RESERVATION NOW FOR JANUARY 18TH ABSTRACTION FORUM AT PLUS GALLERY

Plus Gallery will host the forum "New Abstraction Today: Four Essential Plus Gallery Artists" on Wednesday, January 18th beginning at 7pm. The forum is presented in conjunction with the Clyfford Still Museum's community wide celebration of the recent opening of the prestigious museum.  Come listen to four of our represented artists who have consistently upheld new methods of abstraction within the Denver community and beyond. Frank T. Martinez, Kate Petley, Bruce Price and Dave Yust will discuss their place and what abstraction means in the contemporary milieu.

An rsvp by January 14th is necessary to attend the event, please contact ivar@plusgallery.com or call 303-296-0927
Martinez, Petley, Yust and Price

2011: PLUS GALLERY YEAR IN REVIEW

2011 was undoubtedly a tremendous year for Plus Gallery artists and our internal endeavors to positively shape the face of Denver's contemporary landscape.  We'd like to share a quick recap of some of those moments, ones that many might not be aware of and those that anyone following our weekly news and program would already have discovered.  But we'll start with the largely unknown:
In 2010 we started posting what works have sold through the year on our Facebook page, we feel that it's a positive way to share information about our program and develop a certain sense of transparency.  We don't always update it readily throughout the year, but we've recently posted the majority of our second half of the year sales:
https://www.facebook.com/media/set/?set=a.175243182512019.31084.113473022022369&type=3

Our facebook page doesn't necessarily supplant our weekly newsletter, but we are developing it as a source for exciting reports, photographs and other opportunities that our patrons might enjoy, please join us there or recommend to anyone you know who is using facebook.
One of the most pleasing reports of the year that we would like to share are the exhibitions that have officially achieved "Sold Out" status in 2011. Those that hit the mark this year are:

- Xi Zhang's "Dream Dusts" (2010/2011)
 
 - Ali Pohl's "Mirror, Mirror" (2011)
 
 - Bruce Price "Full" (2005)
 
And there are three that are very close, with only single works left from each:

- Frank T. Martinez' "Complex Conformity" (2006)

- Robin Schaefer's "Mimesis" (2008)
 

- Jenny Morgan "This too Shall Pass" (2009)

In 2011, Tsehai Johnson was included with a major installation in the Denver Art Museum's exceptional and unprecedented exhibition "Overthrown: Clay Without Limits,"  and Xi Zhang became the youngest artist ever to deliver a Logan Lecture this fall, two very rare honors that we hold in highest regard.  Many of our artists have been featured in Museum exhibitions in the past but few as prestigious as the DAM.  We don't expect this to be a rare occurrence in the future as our artists across the board are gaining ground in their careers and reputations, not just in the region but throughout the world.  In 2012 we'll see our first International Museum presence with William Betts' inclusion in the Kunstmuseum Stuttgart's group exhibition "Tracing the Grid." Jenny Morgan will have an exquisite display of recent and some of her best works from solid local collections on view at Denver's Center for Visual Arts in early 2012 in the group exhibition "Out-Figured" which will include local as well as internationally renowned artists.  Mike Whiting returns with new works in February for an exhibition at Colorado Spring's Gallery of Contemporary Art alongside local luminaries Phil Bender and Chris Coleman.  And later in the Spring he'll be featured at BYU's prestigious Museum of Art in Utah with a solo exhibition that will include major outdoor works.  Finally, in the fall of 2012 Dave Yust will be given some due for one of the longest and most prolific careers in contemporary art by a Colorado Artist when the Loveland Museum hosts "Dave Yust: 40 Plus years of Printmaking."

Our own schedule for 2012 holds great anticipation and excitement for us, we'll be celebrating the end of times in January 2012 with a mind-boggling exhibition of works on paper by two very excellent local emerging artists Drew Englander and Donald Fodness, alongside two national artists of amazing talent and visceral visual intensity Larry Bob Phillips and Paul Nudd.  Expect lots of surprises as we look to see if the Rapture is really upon us.  Things get down to serious business thereafter as we host solo exhibitions by three of our top artists Xi Zhang, William Betts and Jenny Morgan.  The fall will include the next solo exhibition from Karen McClanahan, an artists who has been with us from almost our very beginnings in 2001, and the rarest of rare a new solo exhibition by Susan Meyer.
2011 had so many great moments for Plus Gallery, from our first exhibition of the year by Melissa Furness that featured a full-wall video installation and some of the most intricate and genre expanding paintings of any year, to our most recent solo by Frank T. Martinez, his fourth and absolutely finest body of work yet.  In between we hosted our first photography show in our current space featuring Patti Hallock's timeless, playful, stunningly composed "The West Is Here" in conjunction with Denver's Month of Photography celebration, followed by our only group exhibition of the year, the highly praised "Peaking the Edge" which featured not only some of the best talent from around the US but two terrific artists from New Zealand Shannon Novak and Sara Hughes.  The exhibition ended up being wonderfully redefined following our Broadway Corridor Public Art Celebration as a team of young artists led by Liz Greene presented one of most memorable performances in recent memory.  But even that couldn't prepare us and the city for what followed:  Allie Pohl's debut solo exhibition at Plus "Mirror, Mirror."  Allie created one of the most breathtaking and magical installations in the history of the gallery, progressing her "Ideal Woman" theme further with a floor-to-ceiling caryatid form in chromed resin, surrounded by mirrors that reflected the ideals of the online dating scene.  Oh, and there was her neon and video loop too that accompanied the show.  We could have just ended our careers there, going out on a high note, but nevertheless we continued forward and hosted our ten year anniversary in conjunction with a new set of paintings from Gabriel Liston. Liston presented his best work to date with an intimate collection of full-color and striking black-and-white scenes depicting youth at its finest and most real.  The show and our anniversary also found us with one of the best gifts we could ever receive, a site-specific exterior graphic application for our canopy developed from across the world by Shannon Novak, an artist whom we've grown to admire quite a bit since striking up a relationship in 2010.  After some well-needed time off at the end of the summer, we returned in our finest form yet with Robin Schaefer's latest highly nuanced and thoughtful body of work "Unlearning the Differences."  We'll never forget the pairing of sister and brother that month in the space as Kagen Schaefer unveiled a work of the most extreme detail, beauty and inspiration to a select and appreciative crowd, his one of a kind desk commissioned by legendary contemporary film director Darren Aronofsky.  And of course that was followed by the return of Bill Amundson in October with "Blurred Vision," an exhibition that broke many records for the gallery including the first time ever having to turn people away at the door for his unprecedented artist talk.   And of course none of this would have been possible without our terrific team of interns, who supported the gallery program and helped us get through all of the exciting (and not-so exciting) times.

Happy Holidays to all!



 


Wednesday, March 24, 2010

ART HAPPENING AT PLUS - UNVEILING OF A TOTALLY TRANSFORMED EXHIBITION AT PLUS, WEDNESDAY, MARCH 24 from 6-7PM

This weeks re-installation at Plus Gallery isn't just a modification of the "Cloud Walls" but a groundbreaking wholescale transformation of the entire exhibition.  We invited local art collector Mike Hughes to re-invision the exhibition and to use all four walls and available paintings for his effort.  The result is a provocative installation that gives an entirely new perspective on what an exhibition can be.  Hughes interpretation will be up for one week only, we encourage you to consider joining us tonight for the ever-changing Wednesday evening happening that celebrates the transformation and puts life back into the art-scene. Only at Plus, come rain, snow or shine!



A portion of Mike Hughes' reinstallation of "I am a Cloud"


Saturday, March 20, 2010

ENCORE PERFORMANCE #2 - BRUCE PRICE AND THE UNVEILING OF NEW CLOUDS AT PLUS GALLERY WEDNESDAY, MARCH 24th from 6-7PM

Denver art collector Mike Hughes is the third guest to reinstall the "Cloud Walls" here at Plus Gallery, utilizing select works from over 70 paintings by Bruce Price for his current exhibition.  Join Plus Gallery this Wednesday, March 24th from 6-7pm to view the refreshed space, enjoy a serenade from Price on the viola, and participate in whatever inspired activities might occur this evening. 

This is the third in our wednesday series of impromptu performance and artistic joy in conjunction with the current exhibition "I am a Cloud."  Check out the promo clip for our Wednesday series on youtube:

http://www.youtube.com/watch?v=w9E9MZBbyNM  



Thursday, March 11, 2010

JOIN PLUS GALLERY FOR FIRST TEA, VIOLA, AND DISCUSSION OF CLOUD WALLS

The "Cloud Walls" at Plus Gallery are part of the current exhibition by Bruce Price, and like everyday clouds they are to shift and transform throughout the exhibition.  Those who have seen the exhibition so far have had a chance to view Singer Gallery director Simon Zalkind's interpretation, utilizing approximately half of the 68 small scale works towards a concept relating to precipitation, which he describes as follows:
"I like the cloud image/metaphor a lot. I like the fact that Bruce alludes to what he calls their "indeterminate" quality - evanescent, ungraspable, elusive, shifting - always in the process of dissolving and becoming. I chose to consider these small works as "precipitate" - the clouds' generous downpour (raindrops, hailstones?), and I have hung them on the wall so as to approximate that phenomenon. I like that they are small - it represents the desire for compression and immediacy, a willingness to hint and improvise rather than assert. At the same time these little paintings might be also said to conflate large and small, to blur the boundaries between one scale and another. "
Join Plus Gallery this Wednesday evening from 6-7pm to discuss the finer points of the Zalkind's effort, enjoy tea, and engage in a performance on the viola by none other than the artist himself.  Other fanfare might ensue, and you certainly don't want to miss the opportunity to become eligible as the final guest installer of the cloud walls for the final week of the exhibition.

REVISIT BRUCE PRICE BLOG FOR REVEALING INTERVIEWS AND LOOK AT CURRENT WORK

We were confronted at the opening of Bruce's exhibition by a patron of the arts who suggested that they did not understand the works on view in "I am a Cloud," leading to a lengthy conversation about the subjectivity of art as well as the role of the gallery curator.  While it is not expected that anyone might simply understand any work of art or exhibition on its own, we suggested that all valued artists build greater understanding through the length and depth of their career.  What exists at any given point is simply a continuation from the one that preceded in most if not all cases.  With over a decade of exhibitions and accolades from wide segments of the contemporary population in Denver, Price has achieved a position which we like to consider as "tenured" and of great value, though yes, indeed, there is much mystery surrounding what his work might be about.  For those who are curious, the best source is the artist himself, and we would like to provide a good starting point with a couple of interviews from the last two years that lead up to the current exhibition:

http://plusgallery-bruceprice.blogspot.com/ 

Thursday, February 25, 2010

BRUCE PRICE OPENING AND PLUS 1ST ANNIVERSARY AT 2501 LARIMER RIGHT AROUND CORNER

Since opening our new location at 2501 Larimer, we've had a string of some of the best exhibitions in Denver, culminating in our recognition as the "Art Space of the year" by the Denver Post.  Starting March 4th, we are thrilled to bring Bruce Price back to the gallery for the first time since 2007, an artist who has received plenty of acclaim in conjunction with the gallery in the early part of our history, including his recognition in 2004 as the "Top Abstract Painter" in Denver by the Rocky Mountain News. Price returns with a dynamic, interactive exhibition that sets the tone for creative engagement with contemporary art in the galleries. Join us for the opening reception of "I am a cloud" on Thursday, March 4th from 6-8pm, we'll have more information regarding some of the unique attributes of this exhibition in our newsletter next week.  The exhibition also marks the 1-year anniversary in our new space, which we feel is worth celebrating as well.  We'll have more details to follow next week, but mark your calendars now.

The opening will also be the last chance to view Jenny Morgan's latest self portrait here at the gallery before it goes off to a local private collection.  This is an amazing painting and worth a visit on its own accord.