Plus Gallery is pleased to announce our participation in a unique and far-reaching installation by New Zealand artist Shannon Novak. The three-phase project creates a global scenario in which the artist's "Sound Fragments" make their way to select locations across the globe. The first phase commenced on March 11th in the artists hometown of Auckland, New Zealand, to be followed by Phase two on March 21st in which fragments are unveiled across New Zealand at select galleries, and finally internationally on April 6th including Plus Gallery in Denver.
In his latest study, Shannon Novak has sought to explore the link between colour, sound, shape, time, emotion, and social context; it is a study that examines the interrelationship between spatial form and social activity; it is a study that will both construct and make manifest a sound wave that spreads sound fragments throughout gallery spaces around the world.
“I began to feel more and more that this is what I was meant to do…to create works that through a simple combination of colour and shape, I would realize the very abstract notion of sound implied through the geometric forms I utilized. It also means I am combining, in a unique and vocational way, my two great loves – music and art.”
For Novak, the realization of this show meant the beginning of a long journey. Initially, he asked himself; how could he contribute to, or incorporate into his work the complex dialogue New Zealand abstraction presented. For example, how could he engage with, or address the dominant, and yet spartan aesthetic pioneered by the likes of Gordon Walters with which his work was so much aligned. While the similarities with Walter’s work are undeniable, Novak’s work also has much in common with the aesthetic and concerns of Michael Smither who has been interested in the relationship between music and colour for some forty years. It was the abstract sound/colour work Smithers produced that first piqued Novak’s interest. Since both artists also share a musical background, Smithers’ investigations were not only interesting to Novak but combined the same motivating aesthetics from which he could learn. It is through this rich, complex and sometimes daunting field of art history that Novak has sought to carve a niche, in terms of addressing, assimilating and yet, being distinct from, the likes of Smithers and Walters.
To see more about this fascinating and far-reaching installation, visit the artists website at
http://shannonnovak.com
Galleries participating in the second and third phase include:
Phase 2 National: March 21 - May 2 (New Zealand)
Whare Tapere
Whitianga, New Zealand
Art at Wharepuke
Kerikeri, New Zealand
http://www.art-at-wharepuke.co.nz
Yvonne Rust Gallery
Whangarei, New Zealand
http://www.quarryarts.org/
Salamander Gallery
Christchurch, New Zealand
http://www.salamandergallery.co.nz
Wai Art Space
Carterton, New Zealand
http://www.waiart.org.nz/
JJMorgan and Co.
Wellington, New Zealand
http://www.jjmorganandco.blogspot.com/
Phase 3 International: April 6 - May 2 (outside New Zealand)
Giudecca 795 Art Gallery
Venice, Italy
http://www.giudecca795.com/
Plus Gallery
Denver, Colorado
http://www.plusgallery.com/
galerie TRANSIT
Mechelen, Belgium
http://www.transit.be/
Oriel Q - Queens Hall Gallery
Pembrokeshire, Wales
http://www.orielqueenshallgallery.org.uk/
Arthur Gallery
Ballarat, Australia
http://www.arthurcreative.com.au/
PrintPlus Art Gallery
Amawbia, Nigeria
http://www.printplusng.com/
Guildford Lane Gallery
Melbourne, Australia
http://www.guildfordlanegallery.org/
Galleri Fold / Art Gallery Fold
Reykjavik, Iceland
http://myndlist.is/